Michael Tilson Thomas dies at 81
Renowned conductor, composer, and educator Michael Tilson Thomas has died at the age of 81.
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In a world shaped by screens, speed, and constant stimulation, music offers children something increasingly rare: emotional grounding. This article explores how classical music can help children name their feelings,…
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Serguei Rachmaninov had the hands, the nerve, and the glare—until one disastrous premiere broke him. What followed was silence, hypnosis, exile, and a concerto that conquered the world.
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A leitmotif is a recurring musical idea that represents a character, place, object, or concept—and evolves as the story changes. From Berlioz’s idée fixe and Wagner’s Ring cycle to the film scores of Max Steiner, John…
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Dive into Berlioz’s Symphonie fantastique: a love obsession spirals into hallucination, execution, and witches’ sabbath. This guide follows the idée fixe from first sight to final parody, revealing how Berlioz’s…
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Classical music possesses the power to move us to heights of joy or the depths of despair. But its power to amuse often goes overlooked.
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Recomposition has long shaped classical music, from Baroque masters to Max Richter, blending respect for the past with inventive reinterpretations that breathe new life into familiar works.
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On the first day of spring, we return to Vivaldi’s Four Seasons, one of classical music’s most joyful tributes to nature. The small creatures that inhabit “Spring”—some more realistically depicted…
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Overshadowed by her brother Felix, Fanny Mendelssohn was nonetheless one of the 19th century’s most gifted composers. In this portrait, Jack Pepper explores her remarkable life, music, and the rediscovery…
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As the Oscars approach, this year’s Best Picture nominees explore timeless themes—family, tragedy, music, and resistance. Discover four operas that echo the drama and emotion of these acclaimed films.
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Renowned conductor, composer, and educator Michael Tilson Thomas has died at the age of 81.
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James Jolly revisits Britten’s War Requiem, born from Coventry’s destruction and consecration. Latin ritual meets Wilfred Owen’s trench poems in a searing memorial that still warns, consoles, and endures.
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April 20: This week in classical music
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April 13: This week in classical music
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April 6: This week in classical music
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March 30: This week in classical music
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“It’s not about comfort.” Hélène Grimaud has built a career on risk, intensity, and emotional truth—qualities that shape her unmistakable voice, from Brahms to Gershwin.
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Dive into Berlioz’s Symphonie fantastique: a love obsession spirals into hallucination, execution, and witches’ sabbath. This guide follows the idée fixe from first sight to final parody, revealing how Berlioz’s colors forged a new orchestral language.
Reading time estimated : 26min read
Norwegian violinist Vilde Frang opens up about the soaring, limitless world of Korngold’s Violin Concerto, the art of daring on stage, and why a day in the mountains beats a…
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Sir Antonio Pappano reflects on the “necessary evil” of dress rehearsals, the electricity of live performance, and what he listens for first when meeting an orchestra: cohesion, flexibility, and reaction.
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Anastasia Kobekina shares what shapes her artistry: Elgar Cello Concerto’s vast emotional palette, stories overheard offstage, and the moment she finally breathes out.
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A “guitar geek” turned international soloist, Thibaut Garcia chases flow on stage and new sounds off it—period instruments, extra strings, and fresh programs—under Bruno Monsaingeon’s attentive lens.
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“You give everything—and the rest is out of your hands.” In Zurich, Hélène Grimaud reflects on surrender, synesthesia, and Gershwin’s “feral energy” as a force of transformation.
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In Toulouse, alongside Mao Fujita, Tarmo Peltokoski reflects on musical obsession, interpretive challenges, and the subtle craft of creating sound, balance, and meaning beyond the written score.
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On the occasion of his concert with Tarmo Peltokoski and the Orchestre National du Capitole de Toulouse, pianist Mao Fujita reflects on collaboration, luck, and guidance from mentors, highlighting his…
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What does it feel like for a composer to hear their music performed for the first time? Anna Clyne offers a refreshing perspective. She welcomes the unknown, seeing each performance…
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In this conversation with James Jolly, Jakub Hrůša explores the subtle dynamics between conductor and orchestra, revealing how trust, shared identity, and long-term collaboration shape performances at the highest level.
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Barrie Kosky reinvents Die Fledermaus in a vibrant, ironic staging where humor and spectacle meet a subtle undercurrent of melancholy, revealing new emotional depth beneath Strauss’s…
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Our social media team spends their days tracking trends in the classical music world. Here’s their curated list of the top accounts to follow if you live and…
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In anticipation of the Oscars this Sunday, take a look at this fantastic movie music program that just joined our catalogue, in which the Vienna Radio Symphony Orchestra…
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Through breathtaking improvisations and her vibrant Piano Concerto, the Venezuelan pianist-composer dazzles with a powerfully personal display of Latin-American pride and staggering virtuosity.
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Grace makes it look effortless — but some ballets are survival tests in disguise. Dual roles, mechanical illusions, and four suitors at once: welcome to the most demanding challenges in…
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Four iconic operas, four decisive encounters. From first recordings to unforgettable staged performances, these masterpieces were medici.tv editor Dario’s personal gateways into the world of opera.
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Editorial Manager Colin brings us “Out of Reach,” a collection of virtuosic and poetic piano works he has dreamed of mastering — from the fire and romance of Chopin and Ravel, through the…
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