Staff Pick: a concert version of Wagner's masterfully-crafted Das Rheingold

No one masters the art of painting an image with sound like Wagner, and this concert version of Das Rheingold really highlights the role the orchestra plays in musically depicting objects, characters, and places.

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By Dario Moreno

Reading time estimated : 1 min

Let’s dive in with a moment of powerful orchestral energy: at timecode 1:10:45, Wotan, the King of Gods, descends to Nibelheim to claim the gold stolen from the Rhine. In this masterfully-crafted transition, Wotan’s passage to this “Underworld” is represented by an agitated melody in the strings, while a menacing fortissimo outburst from the brass and an obsessive violent hammering—carried out by 18 real anvils!—depict the laboring Nibelungs enslaved by an evil dwarf.

This musical moment returns at 1:15:22, 1:37:33, and 1:43:39, but with slight differences… Can you hear them?

Written by Dario Moreno

Editor at medici.tv

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